Kultwerk 127 «Melencolia I» TagesWoche


Melencolia I, 1514 Albrecht Durer

Albrecht Dürer (/ ˈ dj ʊər ər /; German: [ˈʔalbʁɛçt ˈdyːʁɐ]; 21 May 1471 - 6 April 1528), sometimes spelled in English as Durer, was a German painter, printmaker, and theorist of the German Renaissance.Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints.He was in contact with the major Italian.


Albrecht Dürer, Melencolia I, 1514, © The Trustees of The British Museum Download Scientific

Albrecht Dürer, Melencolia I, 1514, engraving, 24 x 18.5 cm (The Metropolitan Museum of Art) Albrecht Dürer is the rare artist who truly deserves to be called genius. Genius, however, is tricky business. Dürer's intellect, introspection, and unrelenting perfectionism may have driven him to a state of melancholia—what is now known as.


Albrecht Dürer, Melancholia I 1514, Minneapolis Institute of Art, Minnesota Albrecht durer

Download a digital image of this work. Albrecht Dürer (artist), German, 1471 - 1528, Melencolia I, 1514, engraving on laid paper, sheet (trimmed to plate mark): 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.), 1943.3.3522. Dürer spent a year in the Netherlands (1520-1521), where he was moved by the recognition accorded him by artists and dignitaries.


Melancholia Albrecht Durer Open picture USA Oil Painting Reproductions

Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg) 1603-4. Di Alberto Durero Pittore, e Geometra. . .della Simmetria dei Corpi Humani, Libri Quattro Nuouamente Tradotti dalla Lingua Latina nella Italiana. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg) 1591.


Melencolia I JungleKey.fr Wiki

The artwork. In 1514 the German artist Albrecht Dürer (1471-1528) created the copper engraving Melencolia I. It was immediately recognised as a masterpiece, not only because of its remarkably.


Engraving Melancholia Folkestone Museum Learn with Objects

Albrecht Dürer, Melencolia I ,1514, engraving, 24 x 18.5 cm (The Metropolitan Museum of Art) Albrecht Dürer is the rare artist who truly deserves to be called genius. Genius, however, is tricky business. Dürer's intellect, introspection, and unrelenting perfectionism may have driven him to a state of melancholia—what is now known as.


Kultwerk 127 «Melencolia I» TagesWoche

The last name Durer comes from the German word tur, which means door. Durer didn't leave us any written explanations about his intended meaning in Melencolia I. But Erwin Panofsky, one of the most important art historians of the 20th century, suggested that this work might be Durer's psychological self-portrait.


ALBRECHT Dürer Holzschnitt mit dem Titel Melancholia I von 1514 Stockfotografie Alamy

Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg) Engraving; second state. sheet: 9 9/16 x 7 7/16 in. (24.3 x 18.9 cm) trimmed to plate line. Classification: Fletcher Fund, 1919. Accession Number: Vendor: Junius Spencer Morgan (American) New York. The Metropolitan Museum of Art.


Melancholia I Albrecht Durer

Dürer's Melencolia I is one of three large prints of 1513 and 1514 known as his Meisterstiche (master engravings). The other two are Knight, Death, and the Devil (43.106.2) and Saint Jerome in His Study (19.73.68). The three are in no way a series, but they do correspond to the three kinds of virtue in medieval scholasticism--moral.


Melancholia I, by Albrecht Durer, 1514. Uffizi Gallery, Florence, Italy Wall Art, Canvas Prints

Museum of Fine Arts, BudapestBudapest, Hungary. In 1513-1514, Dürer made three "master engravings ", similar in format, among them Melencolia I, whose enigmatic symbols and multifarious meanings have made it one of the most often discussed works in art history. The title refers to the theory of temperaments, which was of ancient origin but.


Albrecht Durer Melencolia I Melancholia Engraving 1514 Etsy

In his book about Albrecht Durer, John Berger classes Melencolia I and the other two parts of the Apocolypse as constituting "the great high-point in Durer's graphic work".Similarly, art historian Erwin Panofsky claimed that is was the supreme self-portrait of Durer's working life - presumably due to the imagery it conveys. According to David Ritz Finkelstein, "The engravings Melencolia I of.


Albrecht Dürer „Melancholia I” » Niezła sztuka

Dimensions. 24 cm × 18.8 cm (9.4 in × 7.4 in) Melencolia I is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia - melancholy. Holding her head in her hand, she stares past the busy scene in front of her.

Global Gallery Albrecht Durer Melancholia Stretched Canvas Artwork Posters & Prints

Dürer's personification of the melancholic temperament in his most famous print, Melencolia I, shows a brooding, inactive figure who sits under an hourglass, weighed down by her own thoughts and surrounded by the unused tools of creative endeavour and scientific research.Dürer's representation was based upon the belief current in Renaissance humanist circles that melancholy was.


Albrecht Dürer Die Melancholie Kunstsammlungen Nürnberg

List of Albrecht Durer Paintings. Albrecht Durer produced many great works besides just Melancholia I and the other paintings featured in this homepage, with further key paintings, sketches and etchings from his career being featured below. The Little Owl. The Four Horsemen Of The Apocalypse. The Knight Death And The Devil.


Melancholy by Albrecht Durer ️ Dürer Albrecht

Albrecht Dürer 1514. The Metropolitan Museum of Art New York City, United States. Download this artwork (provided by The Metropolitan Museum of Art). Learn more about this artwork. Details. Title: Melencolia I; Creator: Albrecht Dürer; Date Created: 1514; Physical Dimensions: Sheet: 9 1/2 × 7 5/16 in. (24.1 × 18.5 cm)


Albert Durer, Melencolia I, 1514, incisione a bulino, British Museum, London Albrecht Durer

Fri 18 Mar 2011 06.52 EDT. 48. Albrecht Dürer's Melencolia I has cut its black lines deep into the modern imagination. It shows a winged being who sits in apparent dejection, surrounded by unused.